Monday, August 12, 2013

Learning History and its Lessons

The job of a historian is to record events, analyse them and produce an objective version of what happened, how and why. Some also offer versions different from recorded and accepted history while others probe the 'what if' angle and how things would have turned out so different, so well and so pleasant if it hadn't been for a minor mistake, grudge or oversight. But these offer us academic closure and explain things neatly to be stored and retreived to analyse the present through the past or in my case currently, to answer questions for an exam. The reasons can be numbered, the events dated and the aftermath judged through influence of these events on the future.

Of late I have read books dealing with historical events, but viewed through the life of people. The fact that the movie 'Titanic' became a super-hit and won 11 academy awards proves the impact of telling a story through the lives of people which makes it different from a historical documentary. 'Saving Private Ryan', 'Schindler's List', 'Mother India' are among the long list of movies that recount real history through the life of people. Sometimes they are fictional characters, like in 'Titanic' and 'Saving Private Ryan', made to give order, structure and the human element to complex events which when viewed only objectively will mean something to us who are far away from them. Sometimes they are real, like in 'Schindler's List' or 'Gandhi'.

The fact remains, history through the life of people allows for better understanding and emotions than any objective work. It allows us to relive the pain, agony, joys, relief and hopes of the characters thus leaving a deeper and clearer impact on us than pure academic history. Whether books or movies, stories of people allow us to relate to events and emotions and get a clearer understanding. My sojourn through 'Unheard Voices' by Harsh Mander, 'Poor Little Rich Slum' by Rashmi Bansal and Deepak Gandhi (both non-fiction), 'Long Walk Home' by Manreet Sodhi Someshwar and 'Winter Nights' by Navtej Sarna (fiction) told me about incidents and realities in India- omnipresent injustice perpetuated on lower castes, tribals, women, farmers and apathy of state to their plight, communal riots, our prejudice and ignorance on issues of poverty, our snobbery and indifference towards urban poverty, our obsession towards a glitzy, glamorous model of development, partition and its violence, the loss of sons and daughters to wanton violence- all these were presented through the lives of people.

This is why artists, writers and performers require the freedom to express their views- to bring out the real human stories behind events and not be circumscribed by the need to present everything in a neatly written plot having a clear beginning and end with lot of song and dance and cliches thrown in. They need to write these so that those far away in time and space understand these events. We need to understand them because we have to learn to overcome our differences, live in peace and harmony with ourselves and the world and realise that to forget is to repeat. Human emotions and feelings are the same everywhere and although we cannot experience the same events, learning about the lives of others we relive it and it teaches us a lot more than objective history. There is no better way to learn the lessons of history than the words of those who lived it. This is why 'Anne Frank, The Diary of a Young Girl' is read across the world in dozens of languages even 70 years after the author's death and remains a defiance and defence against despotism, hate and violence.

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